Catalogue


The books in Part One are all in the collection of Jack Ginsberg | measurement refers to height

Part One

fig. 1
Giulio Tambellini
The Journey (Scriddler’s Procession Book)
1987
Box: 210 mm
Leaves: variable in scroll form
Edition: unique
fig. 2
Sonja Strafella
The Violinator
1991
340 mm
Edition: unique
fig. 3
Belinda Blignaut
Antibody
1993
100 mm
Edition: #16/30
fig. 4
Cheryl Gage
A Dedication to the History of Medusa
2005
158 mm
Edition: unique
fig. 5
William Kentridge
Macba Flipbook
1999
165 mm
Edition: #82/100 signed of 1000
Publisher : Museu d'Art Contemporani de Barcelona
fig. 6
William Kentridge
Cyclopedia of Drawing
2004
210 mm
Edition: #6/100
Publisher : Ecole d'ar t de l'agglomeration d'Annecy
fig. 7
Abrie Fourie
Philippians 4.8
2001
88 mm oblong
Publisher : MTN Art Institute
The book is accompanied by a digital sequence
fig. 8
Gordon Froud
Turning the Tables
2005
150 mm
Edition: unique
The book is accompanied by a digital sequence
fig. 9
Giulio Tambellini
Pig’s Ear Merger
2000
315 mm
Edition: #1/10
fig. 10
Ian Marley
Dyslexic ABC
2005
276 mm oblong
Edition: #1/20
fig. 11
Giulio Tambellini
Nice Game Nasty Stuffing
1995
100 mm, oblong
Edition: unique
fig. 12
John Moore
A Book of Dreams
2005
390 mm
Edition: #1/12
fig. 13
Abrie Fourie
Giant Protea
1996
148 mm oblong
Edition: #1/30
fig. 14
Donna Kukama
Hair
2003
162 mm
Edition: #1/3
fig. 15
Chris Diedericks
Residue
2003
122 mm
Edition: #2/10
fig. 16
Chris Diedericks
Bitter Love
2002/3
220 mm oblong
Edition: #2/7
fig. 17
Giulio Tambellini
Breaking Doll
2000
210 mm
Edition: #1/3

Part Two

fig. 18
Kim Lieberman
Amazon.com
2001 | 5761
digital animation
size variable
fig. 19
Kim Lieberman
Human Current (Circle)
2006 | 5766
postage stamp paper, oil paint, pencil
735 x 1 095 mm
and digital animation sequel
projected to 735 x 1 095 mm
in collaboration with Mitch Said
fig. 20
Giulio Tambellini
MW5 1-4-7
2006
digital prints, video tape and card box
1 470 x 1 470 mm x variable depth
fig. 21
André Venter
I-Ching for the 'African Renaissance’
2006
digital prints and digital animation
size variable
fig. 22
Marc Edwards
Authentic – not authentic, self practice
from11/04/05 to 12/05/06.
2006
wall-mounted double screen DVD and digital prints
590 x 590 mm
fig. 23
Paul Emmanuel
The Lost Men Project (Grahamstown)
2006
digital program, touch-screen monitor on pedestal
size variable