Sarah Bodman
- (edited by) Tom Sowden
- (edited by)
Pages: 185pp Size: 296mm
Sub-type: Thesis
Place publication: Bristol, UK Publisher: Impact Press ISBN: 978-1-906501-04-4
Additional notes: with an edited selection of interviews, essays and case studies from the project "What will be the canon for the artist's book in the 21st Century?"
Ref: 2063
Articles
on publishing his own books and artists' books "non-describing the world" since the 70s in Dabrowa Dolna, Poland Radoslaw Nowakowski (interview with) p11
Interview Jeff Rathermel (interview with) p25 Artistic Director of the Minnesota Center for Book Arts (MCBA), Minneapolis, USA
Interview Ulrike Stoltz (interview with) p29 Artist and Professor of Typography at the Hochschule für Bildende Künste, Braunschweig, Germany.
Interview Dmitry Sayenko (interview with) p39 from Russia, who works with colour woodcut and linocut, and binds his own books by hand.
Interview I. Vandegrift Davala (interview with) p47 based in Ireland, whose recent work has utilised interactive digital technologies in the production of book works.
Possible Strategies For Exploiting Wikipedia for the Dissemination and Profiling of Artists' Books and Multiples on the Internet Francis Elliot (essay by) p55
Interview Sally Alatalo (interview with) p59 artist founder of Sara Ranchouse Publishing, Chicago, USA
Interview Kyoko Tachibana (interview with) p69 Sohon Studio, Sapporo, Japan
Interview Maria Lucia Cattani (title) Paulo Antonio Silveira (interview with) p73 from Brazil, with input from Maria Lucia Cattani about her recent work relating to the book "Quadrantes/Quadrants".
Interview Monica Langwe (interview with) p81 Swedish book artist and bookbinder.
Interview Maria White (interview with) p87 Chief Cataloguer, Tate Britain, UK.
Artists' Publications Andi McGarry (essay by) p91
Interview Elissa Papendick (interview with) Andrew Blackley (interview with) Ramon Cartwright (interview with) AnneDorothee (Doro) Boehme (interview with) p95 at the Joan Flasch Artists' Book Collection, The School of the Art Institute of Chicago, USA.
Interview Eriko Hirashima (interview with) p109 founder of LA LIBRERIA artists' bookshop in Singapore.
Interview John Risseeuw (interview with) p113 proprietor of his own Cabbagehead Press and Director of ASCU's Pyracantha Press, Arizona State University, USA.
Case Study Interview Antic- Ham (interview with) p131 Artist, South Korea, October 2009.
Case Study Interview Tim Mosely (interview by) p135 Artist, at Southern Cross university, Lismore, Australia.
Case Study Interview Baysan Yuksel (interview with) p139 (also producting work at Bayananderson) 2nd Year Masters Fine Art (painting) student Marmara University, Istanbul, Turkey.
Case Study Richard Price (interview with) p143
Case Study Caren Florance (interview with) p147 Ampersand Duck Press / Publisher, Australia.
Case Study Lina Hakim (interview with) p151 Artist, Lebanon.
Case Study Interview David Murray Paton (interview with) p153 Artist and Senior Lecturer: Visual Art, university of Johannesburg, South Africa.
Case Study Karen Hanmer (interview with) p157 artist and Designer Bookbinder, USA.
Case Study Fernanda Fedi (interview with) Gino Gini (interview with) p161 Artists, Italy
Case Study John Bentley (interview with) p164 Artist, United Kingdom.
Case Study Andrew Eason (interview with) p165 Artist, United Kingdom.
Case Study Horst Weierstall (interview with) p169 Artist, Cyprus.
Case Study Nancy Campbell (interview with) p171 Dealer, UK
Case Study Judy Barrass (interview with) p175 Artist, Australia.
Artists' Books or Artists' Publications. p179 An edited selection of responses from the online forum: 21st Century Book Discussion at Artist Books 3.0
Defining the Book p181 An edited selection of responses from the online forum: 21st Century Book Discussion at Artist Books 3.0
ABTREE diagrams Emma Powell Lilla Duignan Ahlrich van Ohlen Imi Maufe p24, p85, p145, p182