Websites

Abe Books. 2002. Brooklyn Bridge by Donald Glaister. Available: http://www.abebooks.com/servlet/SearchResults?an=Donald+Glaister&tn=Brooklyn+Bridge&sortby=1 accessed 3 March 2016.

Abe Books. 2004. Tempête et Calme. Poeme de Jules Verne. Available: http://www.abebooks.fr/Tempete-Calme-Poeme-Jules-Verne-Verdigris/650390001/bd accessed 22 January 2016.

Antonetti, M. 2013. Collaborative Ecosystems. Jean-Pierre Hébert, In Visible Cities. Available: http://www.fpba.com/parenthesis/select-articles/p25_in_visible_cities.html accessed 28 January 2016.

Barron, C. 2011. Can e-books return us to the essence of what a book is? [online] post-Gutenberg. Available: http://postgutenberg.com/2011/10/18/can-e-books-return-us-to-the-essence-of-what-a-book-is/ accessed 9 January 2016.

Biblio.com. Books by Nora Lee Mcgillivray. Available: http://www.biblio.com/booksearch/author/nora-lee-mcgillivray/order/priceasc accessed 28 January 2016.

Booklyn Artists Alliance. 2007. 26°57,3’N, 142°16,8’E (Architeuthis) Veronika Schaepers. Available: http://booklyn.org/archive/index.php/Detail/Object/Show/object_id/582 accessed 27 January 2016.

Brink, L. 2001. Eastern Papermaking Exhibit, Lectures, Workshops. Available: http://www.cool.conservation-us.org/byform/mailing-lists/bookarts/2001/01/msg00028.html accessed 22 January 2016.

British Library. 2010. Russian Avant-Garde Artists’ Books 1969-2010 in the British Library. Available: http://www.bl.uk/reshelp/pdfs/Russian%20Avant-garde%20Modern.pdf accessed 22 January 2016.

Bryant, S. 2013. Artist’s Books: Biography. Available: http://bigjumppress.com/section/164042-Biography.html accessed 14 January 2016.

Bryant, S. 2013. Artist’s Books: Figure Study. Available: http://bigjumppress.com/section/410546-Figure-Study.html accessed 14 January 2016.

Center for the Book Arts. 1998. Out West: November 21 1998 - May 1, 1999. Available: http://www.centerforbookarts.net/exhibits/archive/workdetail.asp?workID=1701 accessed 3 February 2016.

Deumens, J. 2007. The ‘On the Road Too’ Book and Exhibition Project. Available: http://www.unconart.com/ONTHEROAD/ontheroadtoo.html accessed 28 January 2016.

Deumens, J. 2013. Annesas Appel. View on the World Map 01 02 03 | Centre. Available: http://www.johandeumens.com/artists/4-annesas-appel/artworks/632-view-on-the-world-map-01-02-03--centre.html accessed 28 January 2016.

Dietrich, K. 2004. Horizons of Babel. Available: http://www.keithdietrich.co.za/horizons_01.html accessed 26 January 2016.

Drucker, J. 2004. The Word Made Flesh - Project Statement. Available: http://www.artistsbooksonline.org/works/wmfl.xml accessed 3 February 2016.

Dubin, S. 2012. ‘The Proof Is on the Walls: Johannesburg’s Artist Proof Studio Celebrates 21 Years’. Art in America. Available: http://www.artinamericamagazine.com/news-features/news/south-africa-print-studio/ accessed 7 December 2015.

Dyment, D. 2015. Artists’ Books and Multiples. Sol LeWitt, Autobiography. Available: http://artistsbooksandmultiples.blogspot.co.za/2015/08/sol-lewitt-autobiography.html accessed 19 January 2016.

Eliasson, O. 2006. Your House. Available: http://olafureliasson.net/archive/publication/MDA110540/your-house#slideshow accessed 27 January 2016.

Factum Arte. 2016. Ode á la Bièvre Louise Bourgeois. Available: http://www.factum-arte.com/pag/135/Ode---la-Bi-vre accessed 15 January 2016.

Feigenbaum, J. 2015. Books as Aesthetic Objects. Brooklyn Bridge: A Love Song by Donald Glaister. Available: http://www.library.fau.edu/depts/spc/JaffeCenter/collection/books_as_aesthetic_objects/brooklyn_bridge.php accessed 1 February 2016.

Flusser, V. 2007. Crisis of Linearity. Boot Print 1(1): 18-21 Translated by Adelheid Mers from Flusser’s 1988 essay. Available: http://bootscon)temporaryartspace.org/Downloads/BP1_1.pdf accessed February 10 2016.

Ford, M and A. Povejsilova. 2016. Artists’ books: the exquisite meeting of minds and talents. Available: http://www.christies.com/features/The-artists-book-A-true-collaboration-between-art-and-text-6985-1.aspx accessed 26 January 2016.

Goswell, J. I. 2011. The Arrogance of Power. Print. Available: http://www.printmag.com/illustration/prints-hand-drawn-illustration-competition-finalists-set-11/ accessed 1 February 2016.

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Hagenaars, H. The Unreliable World, about the work of Annesas Appel. Available: http://hannehagenaars.nl/?p=1495 accessed 28 January 2016.

Hewson, D. 2009. Exhibition: Alastair Whitton, Patmos and the War at Sea. Available: http://davidkrutprojects.com/exhibitions/2009-10-10_alastair-whitton_wsg accessed 2 February 2016.

Juvelis, P. 2005. The Mappist. Available: http://www.juvelisbooks.com/pages/books/9671/barry-pacific-editions-lopez/the-mappist accessed 28 January 2016.

Juvelis, P. 2007. An Indian Train Journey. Available: http://www.juvelisbooks.com/pages/books/10096/peter-kingston/an-indian-train-journey accessed 28 January 2016.

Karasik, M. 2013. The Board of Honour. Available: http://mikhailkarasik.com/ENG/Selected/BoardHonour.html accessed 22 January 2016.

Kelley, C. 2013. The first “simultaneous book” on display at MoMA. Available: http://www.mhpbooks.com/the-first-simultaneous-book-on-display-at-moma/ accessed 9 January 2016.

Klau, J. 2015. Books as Aesthetic Objects. 26°57, 3’N ,142°16,8’E by Veronika Schäpers, poetry by Durs Grünbein. Available: http://www.library.fau.edu/depts/spc/jaffecenter/collection/books_as_aesthetic_objects/the_squid_book.php accessed 27 January 2016.

Koninklijke Bibliotheek. La grande muraille. Available: https://www.kb.nl/en/themes/koopman-collection/la-grande-muraille accessed 19 January 2016.

Lenfield, S. 2012. William Kentridge: “In Praise of Shadows”. Harvard Magazine. Available: http://harvardmagazine.com/2012/03/william-kentridge-in-praise-of-shadows accessed 22 February 2016.

McCarney, S. 2009a. Collected Autobiographies. Available: http://www.scottmccarneyvisualbooks.com/Pages/Autobiographies.html accessed 1 February 2016.

McCarney, S. 2009b. Collected Autobiographies. Available: http://scottmccarneyvisualbooks.com/Pages/LuluAutobio.html accessed 1 February 2016.

Mers, A. 2006. Stalking the Continuum. Boot Print, March 2007, 1(1): 18-21. Available: http://bootscontemporaryartspace.org/Downloads/BP1_1.pdf accessed 10 February 2016.

Milroy, R. 2013. Around the World in Colour: A Multi-Hued Tour of Ochres, Oxides, Roots and Bugs. Available: http://www.vampandtramp.com/finepress/h/heavenly.html accessed 14 January 2016.

Minnesota Center for Book Arts. 2013. Edition Reese “In Visible Cities”. Available: http://www.mcbaprize.org/2013/reese/ accessed 28 January 2016.

Misra, A. 2008. Some storytellers have the ability to stun you into silence. That’s exactly what 85-year-old Nobel laureate Nadine Gordimer did. Available: http://www.dnaindia.com/mumbai/report-gordimer-on-her-ultimate-safari-1204999 accessed 26 January 2016.

Museum of Modern Art. 1986. Francesco Clemente: The Departure of the Argonaut. Press release October 1986. Available: https://www.moma.org/momaorg/shared/pdfs/docs/press_archives/6363/releases/MOMA_1986_0097_91.pdf?2010 accessed January 13 2016.

Nurse, J. 2009. Patmos and the War at Sea: An interview with Alastair Whitton by Jacqueline Nurse. Available: http://www.davidkrutpublishing.com/7000/patmos-and-the-war-at-sea-an-interview-with-alastair-whitton-by-jacqueline-nurse accessed 2 February 2016.

Nurse, J. 2013. Be Careful in the Working Radius. Available: http://www.theartistsbook.org.za/view_collod.asp?pg=collod_item&collod_opt=item&ItemID=770 accessed 28 January 2016.

Offizin Parvus Editions. 2010. Vergriffen: Xavier de Maistre. Die nächtliche Reise um mein Zimmer. Künstlerische Gestaltung Helmut Schulze. Available: http://www.offizinparvus.de/ accessed 28 January 2016.

Paton, D. 2012. Towards a Theoretical Underpinning of the Book Arts: Applying Bakhtin’s dialogism and heteroglossia to selected examples of the artist’s book, Literator 33(1), Art. #353. Available: http://dx.doi.org/10.4102/lit.v33i1.353 accessed 20 January 2016.

Pereira, A.C. 2014. A Concretising Gesture: Flusser and the Technical Image. Available: http://www.scribd.com/doc/78637324/A-Concretising-Gesture-Flusser-and-the-Technical-Image accessed 3 February 2016.

Perloff, M. 1994. Radical Artifice. Writing Poetry in the Age of Media. Available: http://press.uchicago.edu/ucp/books/book/chicago/R/bo3623068.html accessed 3 February 2016.

Perloff, M. 2008. Cubist Collaboration/ Abstract Assemblage: The Avant-Garde Artist’s Book. Available: http://marjorieperloff.com/essays/artist-book/#_ednref6 accessed 18 January 2016.

Price, R. 2009. 43, According to Robin Price, with Annotated Bibliography. Available: http://www.robinpricepublisher.com/43.shtml accessed 1 February 2016.

Princeton University Art Museum. 2013. La fin du monde filmée par l’Ange N.-D, Paris: Available: http://artmuseum.princeton.edu/art/exhibitions/1913-modernism/objects/81255 accessed 9 January 2016.

Quod Gallery. 2013. A Universal Archive: William Kentridge as Printmaker. Available: http://www.derbyquad.co.uk/exhibition/universal-archive-william-kentridge-printmaker-0#sthash.Gqr1DiQ8.dpuf accessed 22 February 2016.

Sassen, R. 2014. Arts philanthropist Ginsberg honoured by Inyathetlo. Available: http://www.sajr.co.za/news-and-articles/2014/11/12/arts-philanthropist-ginsberg-honoured-by-inyathelo accessed 16 September 2016.

Scudiero, M. Colophon Fortunato Depero, Depero Futurista 1913-1927 (Depero the Futurist 1913-1927). Available: http://www.colophon.com/gallery/futurism/1.html accessed 9 January 2016.

Seager, D. 2015. Ten Years of Artists’ Books. Available: https://issuu.com/seagergray/docs/______tenyearsofartistsbooks_brookl/55 accessed 19 January 2016.

Siglio uncommon books at the intersection of art and literature. 2015. Diary: How To Improve The World (You Will Only Make Matters Worse) John Cage. Available: http://sigliopress.com/book/diary-how-to-improve-the-world/ accessed 3 February 2016.

Silverberg, R. 2011. Subterranean Geography. Available: http://robbinamisilverberg.com/artwork/editions/subterranean-geography/ accessed 27 January 2016.

Spowart, D. 2013. Keith Smith + Scott Mccarney @ SLQ. Available: http://wotwedid.com/tag/artists-books-2/ accessed 1 February 2016.

The Artists’ Press. 2001. The Ultimate Safari. Available: http://www.artprintsa.com/the-ultimate-safari.html accessed 26 January 2016.

The Book Beat. 2014. Walasse Ting: 1 Cent Life. Available: / http://www.thebookbeat.com/backroom/2014/02/09/walasse-ting-one-cent-life-2/nggallery/page/1` accessed 11 January 2016.

The Hans Christian Andersen Centre. 1949. The Emperor’s New Clothes. Available: http://www.andersen.sdu.dk/vaerk/hersholt/TheEmperorsNewClothes_e.html accessed 15 January 2016.

University of the West of England. 2011. Not a Straight Line 2011 by Emily Martin. Available: http://www.bookarts.uwe.ac.uk/projects/al-mutanabbi/85.htm accessed 1 February 2016.

Vamp & Tramp. 2009. 43, According to Robin Price, with Annotated Bibliography by Robin Price Available: http://www.vampandtramp.com/finepress/p/price.html accessed 1 February 2016.

Vamp & Tramp. 2011. Crossing the Tigris by Caren Heft, Jeffrey Morin & Brian Borchardt. Available: http://www.vampandtramp.com/finepress/s/sailorboy.html accessed 2 February 2016.

Vamp & Tramp. 2015. Not a Straight Line by Emily Martin. Available: http://www.vampandtramp.com/finepress/n/naughty.html accessed 1 February 2016.

Vanderbilt University Special Collections. Technique and Audience Engagement: Hayden Carruth, Claire Van Vliet, Kathryn Clark, Howard Clark, and Jim Bricknell. Available http://exhibits.library.vanderbilt.edu/artistsbooks/carruth_vanvliet_clark_clark_bricknell-aura.html accessed 18 January 2016.

WorldCat. 2001. Mapping the Great Book. Available: http://www.worldcat.org/title/mapping-the-great-book/oclc/56319920 accessed 28 January 2016.

Worthpoint. 2016. C. O. Czeschka Die Nibelungen Original Book. Available: http://www.worthpoint.com/worthopedia/czeschka-die-nibelungen-original-book-52670431 accessed 9 January 2016.

Wye, D. 2004. Artists and Prints: Masterworks from The Museum of Modern Art, New York: Fernand Léger La Fin du monde, filmée par l’ange de N.-D. Available: http://www.moma.org/collection/works/27232?locale=en accessed 9 January 2016.

Books and articles

Arnar, AS. 2011. The Book as Instrument: Stéphane Mallarmé, the Artist’s Book, and the Transformation of Print Culture. Chicago: University Of Chicago Press.

Bakhtin, M. 1981. The Dialogic Imagination: Four Essays. Austen: University of Texas Press.

Baudrillard, J. 1994. The System of Collecting in The Cultures of Collecting. J. Elsner and R. Cardinal, eds. Cambridge Massachusetts: Harvard University Press, 7-24.

Benjamin, W. 1968. Unpacking My Library in Illuminations: Essays and Reflections. New York: Schocken Books, 59-67.

Berman, K. 2017 (forthcoming). Finding Voice: A visual arts approach for engaging social change. Michigan: University of Michigan Press.

Beube, D. 1996. Hollow Words. Self-publication.

Bhabha, HK. 1994. The Location of Culture. London: Routledge.

Bostad, F., C. Brandist, LS. Evensen and HC. Faber, eds. 2004. Bakhtinian Perspectives on Language and Culture: Meaning in Language, Art and New Media. Houndmills, Basingstoke: Palgrave MacMillan.

Broodthaers, M. 1969. Un Coup de Dés Jamais N’Abolira le Hasard. Antwerp: Wide White Space Gallery.

Calderhead, C. 2011. Art & Protest: The political art of Joan Iversen Goswell. Letter Arts Review 25 (1): 16-31.

Castleman, R. 1994. A Century of Artists Books. New York: The Museum of Modern Art.

Cendrars, B. 1914. Kontraste, Gleichzeitigkeit, Form Die Aktion. 17 March: 257. Translated into French in Delaunay 1906-1914: De l’impressionnisme à l’abstraction.

Cendrars, B. 1914. Letter to Sonia and Robert Delaunay. Inédits Secrets, January: 373.

Chartier, R. 1994. The order of books: readers, authors, and libraries in Europe between the fourteenth and eighteenth centuries. Cambridge: Polity Press.

Cooney, J. 2004-05. Aldus Society Notes. 5(2):6.

De Freitas, MT., C. Leroy and E. Nogacki, eds. 2002. Cendrars et les arts. Valenciennes: Presses Universitaires de Valenciennes.

Delaunay, S. 1978. Nous irons jusqu’au soleil. Paris: Éditions Robert Laffont.

Deleuze, G. 1989. Cinema 2: The Time-Image. Trans. H Tomlinson and R Caleta. London: Athlone.

Deleuze, G. and F. Guattari. 1993. A Thousand Plateaus. Minneapolis: University of Minnesota Press.

Dietrich, KH. 2011. Intersections, Boundaries and Passages: Transgressing the Codex. Inaugural lecture. Stellenbosch: Stellenbosch University.

Diggory, T. 2013. Encyclopedia of the New York School Poets. New York: Infobase Learning.

Drucker, J. 1995. The Century of Artists’ Books. New York: Granary Book.

Drucker, J. 1998. Figuring the Word: Essays on Books, Writing and Visual Poetics. New York: Granary Books.

Eco, U. 2005. The Name of the Rose. Translated from the Italian by William Weaver. London: Vintage.

Emerson, M. 2008. Hybrid Histories in Contemporary Artist Books: “Codex Espangliensis and Doska Pocheta”. Art Institute of Chicago Museum Studies 34(2):60-62.

Finger, A., R. Guldin and G. Bernardo. 2011. Vilém Flusser. An Introduction. Electronic Mediations 34. Minneapolis: University of Minnesota Press.

Flusser, V. 1984. Towards a Philosophy of Photography. Göttingen: European Photography.

Flusser, V. 2000. Towards a Philosophy of Photography. Clerkenwell, London: Reaktion Books.

Flusser, V. 2002. Writings. Electronic Mediations 6, translated by Erik Eisel. Minneapolis: University of Minnesota Press.

Foucault, M. 1970. The Order of Things: An Archaeology of the Human Sciences, London: Routledge.

Foucault, M. 1984. Des espaces autres [Of other spaces], Architecture, Mouvement, Continuité 5:46-49. Translated by Jay Miskowiec in Diacritics 16(1) (Spring, 1986): 22–27.

Friedman, H. 1997. Battle of the book. Mail & Guardian, January 24 to 30: 29.

Hammer, J. 2016. The Bad-Ass Librarians of Timbuktu and their race to save the world’s most precious manuscripts. New York: Simon & Schuster.

Hampton, M. 2015. Unshelfmarked: Reconceiving the Artist Book. Devon, UK: Uniformbooks.

Horkheimer, M and T. Adorno. 2002. `The Concept of Enlightenment, in Dialectic of Enlightenment, edited by G. S. Noerr, translated by E. Jephcott: Stanford: Stanford University Press.

Hubbard, P. and R. Kitchin, eds. 2010. Key Thinkers on Space and Place. New Delhi: Sage.

Hughes, G. 2007. Envisioning Abstraction: The Simultaneity of Robert Delaunay’s First Disk. Art Bulletin. 89(2):306-332.

Hume, A. 2012. Rescuing Hegel’s Magical Thinking, Evental Aesthetics, 1 (1): 11-38.

Kac, E. 2004. Negotiating Meaning: the Dialogic Imagination in Electronic Art. In Bostad, F., C. Brandist, LS. Evensen and HC. Faber, eds. Bakhtinian Perspectives on Language and Culture: Meaning in Language, Art and New Media. Houndmills, Basingstoke: Palgrave MacMillan: 199–216.

Lafon, M-H and J-C. Loubières. 2003. Quand on lit = When you read. Paris: Adéléo éditions.

Langerman, F. 2014. Cover to cover: the contribution of the book to the reproduction of linear, hierarchical models of natural history, in C. Hamilton and P. Skotnes. Uncertain curature: in an out of the archive. Cape Town: Jacana.

Lessing, GE. 1874. Laocoon. Translated by R. Philimore. London: Macmillan.

Lista, G. ed. 1973. Futurisme: Manifestes, Proclamations, Documents Lausanne: L‘Âge d‘Homme.

Mallarmé, S. 1914. Un coup de dés jamais n’abolira le hasard. Bruges: Imprimerie Sainte Catherine.

Mignolo, W. 2000. Signs & Their Transmission in J. Rothenberg and S. Clay, eds. A Book of the Book: Some Work and Projections about the Book as Writing. 1st ed. New York: Granary Books, 351-71.

Mitchell, WJT. 1994. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.

Mitchell, WJT. 2008. Four Fundamental Concepts of Image Science in J. Elkins. Visual Literacy. New York: Routledge.

Muensterberger, W. 2014. Collecting: An Unruly Passion: Psychological Perspectives. Princeton: Princeton University Press.

Nelson, R. and R. Shiff, eds. 1996. Critical Terms for Art History. Chicago: University of Chicago Press.

Ostende, J-P. and J-C. Loubières. 2003. Quand on lit = when we read. Paris: AdéLéo éditions.

Ovid. 1983. Metamorphoses. Harmondsworth: Penguin Books.

Pamuk, O. 2001. My Name is Red. Translated from the Turkish by Erdağ Göknar. New York: Alfred A. Knopf.

Pawel, E. 1984. The Nightmare of Reason: A Life of Franz Kafka. London: Collins Harvill.

Perec, G. 1997. from L’Infra-ordinaire (1989) in G. Perec, Species and Other Pieces, London: Penguin Books, 207-250.

Perloff, M. 1994. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press.

Perloff, M. 2003. The Futurist Moment: Avant-Garde, Avant Guerre and the Language of Rupture. Chicago: University of Chicago Press.

Perrée, R. 2002. Cover to Cover: The Artist’s Book in Perspective. Rotterdam: NAi Publishers.

Phillpot, C. 1998. Books by Artists and Books as Art in C. Lauf and C. Phillpot, eds. Artist/Author, Contemporary Artist Books, 1st ed. New York: D.A.P. 31-55.

Pound, E. 1970. Guide to Kulchur, 10th printing. New York: New Directions Books.

Richards, C. 2004. Drawing on Words: Jasper Johns’s Illustrations of Samuel Beckett’s Foirades/Fizzles. Unpublished PhD thesis. Johannesburg: University of the Witwatersrand.

Robertson, E. 1995. Painting Windows: Robert Delaunay, Blaise Cendrars, and the Search for Simultaneity The Modern Language Review 90(4): 883-896.

Sandburg, C. 1988. Paper II in M. Brown and B. De Regniers, eds. Sing a Song of Popcorn: Every Child’s Book of Poems, 1st ed. New York: Scholastic.

Schreyer, A. 2005. Preface in B. Cormack and C. Mazzio, eds. Book Use, Book Theory: 1500-1700, University of Chicago Library, pp. vii-ix.

Shingler, K. 2012. Visual-verbal encounters in Cendrars and Delaunay‘s La Prose du Transsibérien in e-France: an on-line Journal of French Studies 3:1-28.

Skotnes, P. 2005. The invisible elsewhere: an introduction to Malcolm Payne’s ‘Illuminated Manuscripts’, in Payne, M. Illuminated Manuscripts 2003/2005. Cape Town: Axeage Private Press.

Spector, B. 2010. Marcel Broodthaers #2. Self-publication.

Spradlin, W. and P. Porterfield. 1984. The Search for Certainty. New York: Springer-Verlag.

Steiner, W. 1982. The Colours of Rhetoric: Problems in the Relationship between Modern Literature and Painting. Chicago: Chicago University Press.

Ströhl, A. 2002. Introduction. In Flusser, V. 2002. Writings. Electronic Mediations 6. Minneapolis: University of Minnesota Press.

Van Schalkwyk, I. 2009. Reading Colour. Randjesfontein: Ilka van Schalkwyk.

Vogler, T. 2000. When a Book Is Not a Book in J. Rothenberg and S. Clay, eds. A Book of the Book: Some Work and Projections about the Book as Writing, 1st ed. New York: Granary Books, 448-66.

Watson, R., E. James and J. Bryant. 2015. Word and Image: Art, Book and Design from the National Art Library. London: V&A Publishing.

Worth, FR. 2013. Poems That Open and Shut: The Accordion-Fold Creations of Blaise Cendrars and Octavio Paz. Consciousness, Literature and the Arts. 14(3): 1-49.

Wye, D. 2004. Artists and Prints: Masterworks from The Museum of Modern Art, New York. New York: The Museum of Modern Art.

Yeh, S. 2013. Anything goes? Postmoderne Medientheorien im Vergleich:Die großen (Medien) Erzählungen von McLuhan, Baudrillard, Virilio, Kittler und Flusser. Bielefeld: Transcript Verlag.

Zemtsov, I. 1991. Encyclopedia of Soviet Life. New Brunswick: Transaction Publishers.