Sarah Bodman
- (edited with an introduction by) Tom Sowden
- (art editor) Tanya Peixoto
- (associate) John Bentley
- (associate)
Pages: 294mm Size: 296mm
Place publication: Bristol, UK Publisher: Impact Press ISBN: 978-1-906501-07-5
Additional notes: The Centre for Fine Print Research, University of the West of England.
Ref: 2624
Articles
Against Orthodoxy: A ramble in the woods of art John Bentley (essay by) p7
Field Study International: Celebrating 20 years in the Field Sue Hartigan (essay by) p15
Bob Brown's Reading Machine & the imagined Escape from the Page Abigail Thomas p25
Making it happen with Angie Butler Angie Butler (title) Linda Newington (essay by) p29
Stimulus/response - scratching away at some intrinsic and extrinsic problems in theorising the artist's book from the far end of a 'not-so-dark continent' David Murray Paton (essay by) p37 See also AB/3567
Book Art Object 2: making a book about books David Jury (essay by) p49
The fourth Codex International Book Fair and Symposium David Jury (essay by) p53
history of Café Royal Craig Atkinson (essay by) p57
Art as collaboration; 50 years of Edition Hansjörg Mayer Gustavo Grandal Montero (interview with) Eleanor Vonne Brown (interview with) Hansjörg Mayer (title) p65
Student report: When is a new 'BookArtObject' not an Artist's Book? Pete Kennedy (essay by) p77
New World: Johannes Häfner's Digital Picture Books Johannes Häfner (title) Reinhard Grüner (essay by) p89
Reading the literary text as 'Art in Space'. Barbara Tetenbaum's "My Antonia" Nathalia King (essay by) Barbara Tetenbaum (title) p89