About   Team   Contact   Submit    Home  


Database of SA Artists' Books  |  Exhibitions  |  Textual Research  |  News  |  Featured South African Artist's Book  |  Online Resources  |  Jack Ginsberg Bibliography on Artists' Books  |  Booknesses Archive

事实上产后丰胸是有用的,不过产后丰胸是一个循序渐进的过程丰胸产品,急不得也快不了,所以想要进行产后丰胸的妈妈们一定要有耐心丰胸方法,认真对待,一定会获得满意的成果。根据权威机构专家的建议丰胸效果,科学、健康的产后丰胸应该分为三个不同的阶段,每个阶段都有各自的侧重点丰胸产品粉嫩公主

Database of South African Artists' Books


SEARCH OPTIONS:   Basic |  Guided |  Browse |  Advanced

    Full Details


Resist Technique

Artwork date(s): 2017

Belinda Blignaut


Description: 10 pages individually made, each containing a glaze resist technique, a simple non-aesthetic or a ceramic experiment (broken rule). Each slab has holes to facilitate the binding.

Medium: High fired glazed stoneware, bubblegum, lipstick, nail polish
Measurements: 210 x 150
Edition: Unique

Category: South African Artists Book
Type: Sculptural book
Sub-type: Artist as sole producer
Theme(s): Transformation and adaption of the creative life

Place publication: Western Cape
Publisher: The artist

Reference noteEmerging in the early 1990s, Belinda Blignaut (b.1968) was one of the group of young Johannesburg-based conceptual and experimental artists whose work served as a commentary on the social and political uncertainty of South Africa, often in challenging or, at the very least, critical terms.

Her work suggests an urgency for protest. Through varied series over many years, Belinda Blignaut has been processing issues around transformation with the body at the centre of all. Through an engagement with readily available and everyday materials, processing immediate surroundings, she hopes to translate the ways we adapt, a quiet visceral investigation into life and the creative process.

Surfacing in all she does is an exploration into a more fluid world, to resist the effects of institutionalized culture. Her recent work takes her interest in the formlessness and abjection of her bubblegum sculptures into a new series of misshapen clay vessels and forms. There are combinations of purely intuitive experiments and wheel thrown or hand-built shapes that are cut and the individual components joined to make an other whole.

Through these intuitive choices and tactile joining processes, intimacy with the material is experienced. This experience is somewhere been wrestling and allowing the object to find its own personality, working from the inside on all levels. The same experimental processes have been used in her most recent works using wild clay, which she digs herself. The unknown element in using less pure clays is what drives her making process today, playing with imperfection, error and chance.



Exhibition notesExhibited at: Booknesses: Contemporary South African Artist's Books. FADA Gallery, University of Johannesburg. Curated by David Paton and Eugene Hon. 24 March - 5 May 2017.



Ref: DP17/07







Total images: 2


Terms of Use and Privacy Policy | © David Paton. All rights reserved.