Black Panther Party Stamp Book The Black Panther Black Community News Service
Item date(s): 2022
Kyle Goen
Pages: 25pp Size: 237mm, oblong Binding: Clamshell/solander box Technique: Offset-Lithography, Screenprint Language: English Inscription: Signed by the artist Edition: #20/100
Additional notes: Black Panther Party, Black Power, postage stamps.
“Most of my heroes still don’t appear on no stamp.” – Chuck D, Public Enemy, “Fight the Power”
A portfolio of 25 different stamps, printed on dry gum adhesive paper with pinhole perforation. Housed in a blue handmade clamshell box. The box is screen printed on the cover and inside front and back pages. Signed and numbered on the inside back page of the clam-shell box and on the backs of each print. The stamp pages measure 8.5 x 11 inches, and there are 20 stamps per page.
The Black Panther Party Stamp Book was in part a corrective response to the above lyric from Public Enemy’s legendary song “Fight the Power”, which first appeared on the soundtrack to Spike Lee’s 1989 film Do the Right Thing. The piece is a tactile, introductory immersion into the history of the Black Panther Party, with its functional material form amplifying the iconic subject matter, and hopefully (as the artist fully intends) catalysing further engagement, research and, action.
“What I really like about this piece, aside from the fact that I like art that places BPP culture and history in public and educational collections, is that it is sort of a Trojan horse. At first glance, the piece appears to be a one-liner, but I feel it’s actually far more layered conceptually and offers a fairly trenchant commentary and context regarding the issue of the ‘authority’ of cultural icons, radical Black Power politics, and photography. The piece exemplifies what is often defined as a primary component of most artists’ books, the presence of self-referential, and in this case critical, subjectivity. This ‘meta-subjectivity’ amplifies, interrogates, integrates, or contrasts, the artwork’s material form with its subject matter. In the case of most artists’ books which are usually a codex or scroll, the form is a ubiquitous cultural icon of knowledge and/or religious practice. In this particular piece, a box set of postage stamps, the form embodies the concepts of communication, travel, and state authority and bestows the prestige and functionality of those concepts to the piece’s liberatory subject matter. Furthermore the piece functions as a conceptual artwork in (at least at this moment in history) it is a suggestion of objects (in this case, a stamp) that doesn’t actually ‘exist’, if that’s not a conceptual gesture I’m not sure what is. The piece also has obvious connections to the genres of actual stamp art and the vast imaginative practice of mail art. — Marshall Weber, Directing Curator, Booklyn, inc.